• 1965 Fender® Telecaster® Custom Near Mint, Original Hard, Call For Price!

    Guitar Close to new looking, stock and complete '65 Tele Custom. Just sayin' ..
  • 2000 Collings D-2H Near Mint, Original Hard, Call For Price!

    Guitar Early 2000 D2H in superlative condition. The frets have some wear -this guitar was played and between that and the 20 years the guitar has had to open up, it sounds it. She's a looker too, with select woods & the color is exceptional also. Hi-beam pickup installed, original hard shell form fit case included.
  • 1974 Fender® Jazz Bass® Excellent, Original Hard, Call For Price!

    Guitar Original and complete Fender Jazz Bass circa 1974.
  • 1964 Crucianelli 40-V Excellent, Hard, Call For Price!

    Guitar Rare model, Crucianelli 40-V in original red sparkle, overall excellent condition. Later case.
  • 1959 D'angelico New Yorker

    Guitar Early '59 cutaway New Yorker, unusually fine condition. King of the Archtops, D'angelico New Yorker cutaway from 1959. Great woods and color, a great player and rather great sounding, made at the end of the period when John is thought to have done his best work. Some touch up on the treble side of the body and a few extra reinforcement strips internally in the same area. No apparent damage inside or out. Non original but period case. Local pickup and wire transfer,
  • 1959 Gibson Super 400 CES Blonde, Excellent, Original Hard, Call For Price!

    Guitar 1959 Super 400 CESN. With fewer than 30 of these ever made with Venetian cut-away, blonde finish and PAFs, this is quite possibly the nicest one extant, having some of the best looking maple you'll ever see, in addition to being factory stereo and having factory Bigsby. No doubt a special order, it also left the factory with a matching "stinger" at the neck heel to match the normal one on the back of the headstock. The back and sides are extremely highly figured, the maple having great depth, iridescence and lots of movement - very similar to Sandy, the famous '59 'Burst with equally dramatic wood that Gibson modeled their Collector's Choice #4 after. Sure wish I'd held onto that one. Sound and playability are just what you'd hope they'd be, the original frets are in excellent condition. Overall in exceptional condition, just some very light over-spray on the face that is almost undetectable. The original bridge was retrofitted with nylon saddles a few years after it was bought. Personally I prefer metal saddles on Gibson solid bodies but definitely nylon on arch tops. Still has the original case in very good condition, good thing it always had the original case cover to protect it. Stereo to mono cable included.
  • 1994 Gretsch 6120 (Pre Fender) Mint, Original Hard, Call For Price!

    Guitar 1994 / Pre Fender Gretsch 6120 made in Japan, very close to new condition with original case in similar condition. Sets up well and plays great and it has that "Distinctive Gretsch Sound"
  • 1957 Gibson Les Paul Standard Goldtop, Near Mint, Original Hard, Call For Price!

    Guitar First year with PAFs, 1957 Les Paul gold top in collector's condition - a few weather checks on the face, other wise near mint and 100% original including the beautiful case and rare case cover. Tags too. One of the two best I've ever seen, it plays and sounds amazing of course. Frets have almost no wear and weight is just over 8 1/2 pounds.
  • 1960 Gibson Les Paul Standard; The Last Burst

    Guitar The Last Burst. Almost certainly a special order guitar, here we have not only an unusually beautiful and highly figured sunburst Les Paul from the original series, but as far as anyone knows, the last one made. With a serial number over 300 units higher than the next latest one known, it dates to late 1960. The serial number has the second digit filled in instead of a space, which Gibson did on solid bodies until early ’61, in years when they ran out of 5 digit numbers towards the end of the year. The manufacturer’s date code places potentiometer production in the 28th week of 1960, and the guitar’s serial number puts it well after the introduction and production of a number of early SG Les Pauls, as some of these have lower numbers.      She sounds and plays great of course, but as Jay Scott said, regrettably, in his first book on ‘bursts; “It’s the wood that makes it good”. Or was that Kenny Rogers? Regardless, as Stan Jay might have written, ”imagine if you will, some of the most diseased maple ever to grace the loading dock of Kalamazoo’s finest” ( sorry Stan, wherever you are. ) From most angles we see profuse, continuous waves of tight flame which cover nearly the entire top. The medullary grain is very striking as well, and the curl has great depth and iridescence.  However, what sets it apart so beautifully from most 1960 ‘bursts is its unusually translucent finish and deep, rich color. Most ’60s are noticeably more opaque, and more of an orangey-red “tomato soup” looking affair, hence the derogatory tag “clown burst” assigned to many of them.       Fully original* and in exceptionally fine condition, the only issue is an old, clean heel repair with very minimal touch up. The repair dates back at least to the 1980’s. The A & G tuners are a few years later, originals are included and just need to be re-tipped. Pickup covers were off and put back on. Just as the first / earliest known sunburst Les Paul - which surfaced earlier this year - is historically significant, this too is an important instrument as it marks the end of an era at Gibson, and the end of production of what was to become their best known, most coveted and most iconic electric guitar. Check out our demo @ https://youtu.be/WIhCn35jsWk
  • 1963 Fender® Band Master Excellent

    Guitar 1963 Band Master head and cabinet, head is stock, cab has new grill cloth and reissue Jensen P-12Ns. Presence control is present.
  • 1969 Martin D-28 Excellent, Original Hard, Call For Price!

    Guitar Very clean '69 D-28, Brazilian rosewood back and sides. Very healthy neck and neck set, plays great. Sounds pretty good too😏. Original case in unusually nice condition. Pickguard replaced, bridge bolted down and camoflaged with pearl dots. One small hairline between bridge and sound hole. Strap button added. Typical belt buckle scar with no damage to the wood. An unusually good sounding and playing Brazillian D-28. SOLD.
  • 1964 Gretsch Country Gentleman Near Mint, Original Hard, Call For Price!

    Guitar Ultra rare left handed 1964 Country Gent, completely original and in near mint condition. Exceptional playability and crazy clean original case. Mute pads are gone as usual, knock a dollar off. Easily converted to full Harrison specs, stair step tuner buttons and 1 Filtertron are all that's needed.
  • 1959 Fender® Deluxe Amp 5E3 HOLD, Excellent

    Guitar Way clean and completely original '59 model 5E3 Fender Deluxe amp. Even the tubes! Sounds great too.
  • 1963 Fender® Showman® Near Mint, Call For Price!

    Guitar Extremely clean original 1963 Showman head, looks and sounds killer.
  • 1972 Marshall 50 watt lead Near Mint, Original Soft

    Guitar Cleanest one I've seen in years, one owner crazy stupid clean '72 50 watt Lead head and 4X12 cabinet with 30 watt green backs. 3 new filter caps, otherwise all original and just gone over by Jeff Bober ( Budda, East ). Original cover for the head, reissue cover for the cabinet.